Title of album: Let's Take It to the Stage

Artist: Funkadelic

Release date: 1975

Record label: Westbound

Compared to most Funkadelic albums, Let's Take It to the Stage features many short and to-the-point songs, and fewer epic jam sessions.

Track Listing:

Personnel: (given as credited in liner notes) Critical response:
  • "One of Funkadelic's goofiest releases, Let's Take It to the Stage also contains more P-Funk all-time greats as well, making for a grand balance of the serious and silly."
Other external links: ---

Title of song: Let's Take It to the Stage

Artist: Funkadelic

Title of album: Let's Take It to the Stage (see above)

Year of first release: 1975

Trivia: (Includes covers, alternate versions)

The incomprehensible noise at the beginning of the song is actually a voice repeating "oh, yeah!" repeatedly.

Complete tabs at [external site with complete tabs]

Songwriters: George Clinton, Bootsy Collins, Garry Shider

Memorable Lyrics:

  • "Everybody funking and don't know how/They shoulda seen the bull when he funked the cow/He funked her so hard they saw some smoke/He said, let's get in the bed and funk like folks"
  • "Little Miss Muffet sat on her tuffet snorting some THC/Along came a spider, slid down beside her/Said: what's in the bag bitch/She said I'm laughin' at ya, ha, ha!/(Hey Fool and the Gang!)"
  • "Crazier than a sex maniac in a whorehouse with a credit card!"
  • "Sittin in the woods upon a log/(Tricky Dick wasn't worried about no incriminating Watergate)/Finger on the trigger/My eyes on a hog/(Information being on those tapes)"
    • "Tricky Dick" refers to Richard Nixon
    • "Watergate" refers to the scandal that ended Nixon's career
    • "Information being on those tapes" refers to gaps in recordings of Nixon and other administration officials, presumably information deleted because of its incriminating nature

Complete lyrics at the Motherpage

The lyrics are a rhyme-heavy, nursey-rhyme-styled, seemingly stream-of-consciousness-style and only borderline coherent.

Personnel:

Critical response: