"American Pie" is a nearly nine-minute long classic pop song by singer-songwriter Don McLean, about "the day the music died".

Table of contents
1 Background
2 Music and popularity
3 The "Standard Interpretation"
4 Unificationist Interpretation
5 Covers and Related Songs
6 External Links

Background

Recorded in 1971 and released that year on the album of the same name, it was a #1 US hit in 1972 (see 1972 in music). It is an allusive history of rock and roll, inspired by the deaths of Buddy Holly, Ritchie Valens, and J. P. Richardson (The Big Bopper) in a plane crash in 1959.

Although McLean dedicated the American Pie album to Buddy Holly, none of the singers in the plane crash are identified by name in the song itself. Later performers are also alluded to with easily decoded identifications, leading to much discussion, encouraged by McLean's canny lifelong refusal to explain the lyrics. (Asked what "American Pie" meant, McLean once replied "It means I never have to work again." Later, he more seriously stated "You will find many "interpretations" of my lyrics but none of them by me . . . Sorry to leave you all on your own like this but long ago I realized that songwriters should make their statements and move on, maintaining a dignified silence.")

Music and popularity

Musically, the song alternates in style between folk ballad and acoustic rock. The epic scope and enduring popularity of the song qualify it as a rock and roll anthem.

The song remains popular, with nightly manglings in karaoke sessions and drunken singalongs even among people not yet born when it was originally recorded. Along with "Stairway to Heaven", "Hey Jude" and "MacArthur Park", it is a standard choice for disc jockeys who have to take a bathroom or other break when they are working alone.

American Pie is also a popular "last song" for radio stations that are changing format from music to news-talk or sports, because of the line "the day the music died".

The "Standard Interpretation"

During its initial popularity, guessing about the meaning of the song's lyrics was a popular pastime; many radio stations and disc jockeys published unofficial interpretations. Over the years, assisted by the collective power of the Internet, something approaching a "standard interpretation" of the song has emerged. How much of it was actually in McLean's mind, consciously or unconsciously, when he wrote the lyrics will remain unknown unless McLean decides to discuss it.

According to this interpretation, the song is a tribute to Buddy Holly, Richie Valens and the Big Bopper, though most especially Holly. The only interpretation of the song which McLean has ever confirmed is that the beginning is a reference to Holly; he wanted to spark a revival of interest in the musician, who had been dead for twelve years. With the deaths of Holly et al, McLean felt that dance music was gone.

The chorus is simple, with most reviewers equating "Miss American Pie" with all types of American music or everything that is good about the country. There is also an unconfirmed rumor that McLean dated a Miss America contestant for a time. The chorus ends with "this'll be the day that I die." Holly had a popular song called "That'll Be The Day", in which the line "that'll be the day that I die" is repeated in the chorus. "Bye, bye Miss American Pie" may also refer to the loss of innocence caused by the assassination of John F. Kennedy, since "American pie" may be an oblique reference to apple pie, a symbol of traditional American values and morality. In addition, the singer drives a Chevy to the levee; Chevrolet was an American company at a time when foreign cars were very popular. Some believe that the reference to "rye" may mean Rye, New York with "The Levee" being the name of a bar where McLean and his friends mourned the death of Buddy Holly. A common belief that "Miss American Pie" was the name of the plane that crashed is an urban legend - the plane had no name, only a registration number.

In the first verse, the singer expresses his desire to become a musician because "I could make those people dance/And they'd be happy for awhile". "February made me shiver" refers to the winter plane crash, which occurred on February 2, 1959. "With every paper I'd deliver" refers to McLean's only job besides singer/songwriter; he was a paperboy as a young man. "I can't remember if I cried/When I read about his widowed bride" refers to Holly's wife, Ella Holly, who was pregnant at the time of his death.

The beginning of the second verse ("Did you write the book of love"... "if the Bible tells you so") may be McLean questioning the final destinations (i.e. Heaven or Hell) of the dead musicians.The line "Can you teach me how to dance real slow" may refer to the decline of slow-dancing that accompanied the rise of psychedelic music. Rock and roll from the 1950s included frequent slow songs, played at sock hops and other dances. Sock hops are referenced later in the second verse, with "I saw you dancing at the gym" (sock hops were frequently held in gyms) and "You both kicked off your shoes" (shoes would scuff the floor of gyms, hence teens danced in socks).

The third verse begins with "For ten years now we've been on our own" - the song was being written in the late 1960s, about ten years after the plane crash. The "moss grows fat on a rolling stone" may be a criticism of the alleged greed of the Rolling Stones. A strong case has been made that the jester who "sang for the king and queen" was Bob Dylan, since the song says that he sang "in a coat he borrowed from James Dean". Dean famously wore a red windbreaker in Rebel Without a Cause, and Dylan was shown in a distinctly similar windbreaker on the cover of one of his albums. It makes sense for the King to be Elvis Presley (nicknamed The King), and the queen may be Connie Francis, or Queen Elizabeth II of the United Kingdom (to whom Dylan gave a command performance), or Little Richard. The royal pair may also refer to President John Fitzgerald Kennedy and his wife, Jackie Kennedy, with the jester being Lee Harvey Oswald or Jack Ruby.

Assuming that the jester really does refer to Dylan (or maybe Buddy Holly), the fact that he sang in a "voice he borrowed from you and me" refers to the populist origin of folk music, such as sung by Bob Dylan, or similarly, the populism of Buddy Holly. "While the King was looking down/The jester stole his thorny crown" may refer to Dylan overtaking Presley in popularity, or to Buddy Holly's meteoric rise to fame. The "thorny crown" is a reference to Jesus Christ, who was also forced to wear a crown of thorns in the Bible, and it can carry connotations of the price of fame and power, similar to the Sword of Damocles. The lines may also be interpreted to mean that JFK's legacy of populism, as he "was looking down" was transferred to Bob Dylan instead of Lyndon Baines Johnson, JFK's successor as president--hence, the line means that politicians are no longer interested in the trials of the common man. "The courtroom was adjourned/No verdict was returned" may mean that the "lone gunman" theory of JFK's assassination was not accepted, or refer to the trial of the Chicago 7, or simply that fans of Elvis and Dylan were perpetually unable to reconcile their differences because the music of the 1950s and the 1960s were incredibly different from each other. "Lennon read a book on Marx" refers to John Lennon (of The Beatles) actually reading about socialism in the work of Karl Marx and indicates the political message of music, unheard of during the 1950s but predominant by the end of the 1960s. "Lennon" may also be a play on words, referring to the Communist leader of the USSR, Vladmir Lenin, while "Marx" could refer to Groucho Marx or the other Marx Brothers. "The quartet practiced in the park" may refer to the Beatles (a quartet) playing in Shea Stadium, or it may refer to The Weavers, a musical group from the early 1960s that McLean was friends with; they were later blacklisted because of McCarthyism. Some critics believe that the Beatles are the quartet and are practicing in the park because their brand of music was still unpopular, as the early rock and roll of Buddy Holly et al was still popular. The last line of the verse is "we sang dirges in the dark", perhaps referring to art rock or progressive rock, frequently long, symphonic and undanceable music that was becoming popular at the time. A dirge is a funereal song, so this may refer to the deaths of countless people, including Buddy Holly. Also, it may be the national mourning that occurred after the assassination of JFK.

The fourth verse begins with a reference to the Beatles' "Helter Skelter" who is "in a summer swelter", perhaps referring to the Summer of Love or the "long, hot summer" of Watts, California. The jester returns to the song and is "on the sidelines in a cast", referring to Dylan's 1966 motorcycle crash that badly injured him. The beginning may also refer to the sudden rise to fame of the Beatles after Holly's death (with Holly being the jester and the cast being death). "The halftime air was sweet perfume" may refer either to the use of illegal drugs, such as marijuana, or the Democratic National Convention of 1968, which was broken up by tear gas, making the "sweet perfume" an ironic reference. "The sergeants played a marching tune" may refer to the Chicago police and Illinois National Guard, who used tear gas the DNC in 1968, or to the Beatles magnum opus, Sgt. Pepper's Lonely Hearts Club Band which is "marching" music because it is not meant to be danced to. The "marching tune" may also be the draft. "We all got up to dance/But we never got the chance" could be a reference to the Beatles thirty-five minute concert at Candlestick Park in 1966, or to the lack of dance music being created at the time. The following two lines ("Cause the players tried to take the field/The marching band refused to yield") may bring back the DNC of 1968, with the marching band being the protestors and the players being the Chicago police and Illinois National Guard. The players may also be the Ohio National Guard, referring to the infamous shootings of unarmed protestors at Kent State University. More generally, some have interpreted it as an indictment of the military-industrial complex's refusal to heed the desires of the people of the United States on the subject of the Vietnam War. Others intepret this line as the rivalry between intelligent, art rock (such as the Beatles) and fun, dance rock (such as the Beach Boys).

The fifth verse begins with "There we were all in one place/a generation lost in space" which probably refers to the hippie generation congregating at Woodstock, who were "lost in space" because of rampant drug use. They may also be "lost in space" because of the lack of good music at the time. Because the alleged drug abuse, the hippies had "no time left to start again" as they had spent so much time stoned. "So come on, Jack be nimble, Jack be quick" may refer to Mick Jagger of the Rolling Stones and their 1968 song "Jumping Jack Flash" as well as a nursery rhyme with the same line. "Jack Flash sat on a candlestick" is also from the nursery rhyme and may refer to the Rolling Stones concert at Candlestick Park. "Fire is the devil's only friend" may refer to "Sympathy for the Devil" by the Rolling Stones, or "Friend of the Devil" by The Grateful Dead. Alternatively, the "fire" refers to the fire that burned the plane Holly died in; Holly died from the fire itself, and not the crash. The entire beginning of this verse has also been interpreted as referring to the Cuban Missile Crisis, with "Jack" referring to John F. Kennedy, the devil being either Cuba, Communism or the Soviet Union and candlesticks referring to ICBMs or other nuclear weapons. "Sympathy for the Devil" was part of the Rolling Stones' set in their notorious concert at Altamont Speedway, during which a fan was killed by the Hell's Angels, who had been hired as security for the concert. (However, the song playing at the time of the killing was "Under My Thumb", not "Sympathy for the Devil" as is commonly thought.) The rest of the verse ("As I watched him on the stage...I saw Satan laughing with delight" may refer to this concert. McLean may have been among those who blamed the song ("Sympathy for the Devil") for inciting the riot because of the Rolling Stones frequent allusions to alleged Satanic themes; in this case, "Satan laughing with delight" may be Mick Jagger. However, the Rolling Stones recorded many roots-rock covers (which McLean probably liked) and were unusually dance-oriented for their time. "To light that sacrifical rite" may also refer to Jimi Hendrix setting his guitar on fire in concert at the Monterey Pop Festival in 1967, though the rest of the verse seems to refer to 1968. Some have claimed that the end of this verse refers to McLean prophetically knowing that the plane would crash and kill his musical heroes but was unable to stop it.

The sixth verse begins with "I met a girl who sang the blues", probably referring to Janis Joplin or Billie Holiday, who "smiled and turned away" (died of an overdose) when McLean asks her if she has any "happy news". The "sacred store" may refer to a literal church or synagogue where McLean had heard music in his childhood ("years before"), or to record stores and music performance venues (which are seen as sacred as rock and roll is sacred, as per the earlier line "Can music save your mortal soul") or just to the Fillmore West. The following line, "But the man there said the music wouldn't play", may mean the discontinued practice of record stores allowing shoppers to preview music before buying it, or that listeners had stopped listening to Buddy Holly and similar rockers, or that good music was no longer being created. "In the streets the children screamed" may refer to brutal tactics used to disperse protestors in Chicago, Kent State University or, most likely, Berkeley, California's People's Park riots. The broken church bells later in the verse may be the people killed and injured at these protests, or to the death of innocence caused by the US government's heavy-handed tactics, or to the dead musicians from the plane crash.

"The three men that I admire most/The Father, Son and the Holy Ghost" is an unmistakable allusion to the Christian Trinity of God, Jesus Christ and the Holy Ghost, as it is a quote of a phrase used weekly in churches of many denominations. But it is presumably a metaphor for something else. The interpretation that is most consistent with the main topic of the song is that the three stand for Holly, Valens and the Big Bopper. This line is followed by "they caught the last train for the coast/the day the music died" and "the day the music died" is the day Holly, Valens and the Big Bopper died and "going west" (as in to the West Coast of the United States) is a common metaphor for death. However, thoughtful people also hold out for Hank Williams, Elvis Presley and Buddy Holly, or John F. Kennedy, Martin Luther King Jr and Robert Kennedy (three political figures that were assassinated). Some critics believe this is a reference to the many religions (generally New Age) that came from California in the 1960s. Many other critics believe that the Father, the Son and the Holy Ghost were the intended subject, and that the lines refer to the supposed abandonment of the United States by God, who had protected the nation through World War 1 and World War 2 but not when greed became the motive for the Vietnam War.

Other cultural references to: (lines used in the song are in bold)

  • "The Book of Love" - a 1958 song by The Monotones (note: may also refer to the Kama Sutra)
  • "The Bible Tells Me So" - a 1955 song by Don Cornell (this may not be a deliberate reference)
  • "The Love of Jesus" - a children's religious song (Anna Bartlett Warner, 1858) that includes the lines "Jesus loves me/This is I know/For the Bible tells me so", changed in the song to If the Bible tells you so. For many people raised in Sunday School, this song is roughly as familiar as "Happy Birthday". The title of the Don Cornell song is almost certainly a reference to this song.
  • "Do You Believe In Magic" - (parallels the line "Do you believe in Rock and Roll?'") a massive 1965 hit by The Lovin' Spoonful, written by John Sebastian
  • a pink carnation - a flower traditionally given to dates before proms and dances, as in the late 1950s Marty Robbins hit, "A White Sports Coat (and a Pink Carnation)"
  • "Like a Rolling Stone" - a 1965 song by Bob Dylan, and his first hit single, off the album Highway 61 Revisited (Dylan had retired from touring, perhaps explaining the line "moss grows fat on a rolling stone")
  • The Rolling Stones - a rock and roll band (The Rolling Stones were criticized for alleged greediness, perhaps explaining the line "moss grows fat on a rolling stone")
  • Rebel Without A Cause - a film starring Sal Mineo and James Dean; Mineo is shot and killed in a coat he borrowed from James Dean. The Freewheelin' Bob Dylan was Dylan's first album, and he wore a similar red windbreaker to the one used in the movie on the album cover with the background reminiscent of the movie.
  • "Helter Skelter" - a song by The Beatles off The White Album; Charles Manson claimed he was inspired to kill by the song
  • "Eight Miles High" - a 1966 song by The Byrds off Fifth Dimension; it was one of the first records widely banned, due to the drug references
  • "Lost in Space" - a television show

Unificationist Interpretation

Although it is not widely known some Unificationists claim to have found themes in American Pie having resonance to the theology and recent history of the Unification Church. From "the day the music died" to "fire is the devil's only friend", these enigmatic lyrics have sparked a myriad of associations for UC members.

The "music" symbolizes the relationship of love between God and man. Thus the "day that you eat of the it you will die" finds an echo in "the day the music died" (see Genesis 2:17), which resulted in the fall of man.

When "the players tried to take the field" symbolizes the last days when the forces of goodness emerge and try to arouse society into a better relationship with God. "The marching band refused to yield" means that other forces, ironically even religious people passionately yearning for the coming of the Messiah, refuse to cooperate.

The three men I admired most, the Father, Son and Holy Ghost
They caught the last train for the coast
The day the music died

These lines hint at the concept of God "leaving" America in the 1960s and 1970s, due to moral corruption and the failure of established Christianity to unite with Rev. Moon as the Messiah. This is the most controversial point of the Unificationist interpretation of the song, yet the most poignant for church members.

Covers and Related Songs

The epic length and deeply personal nature of the song has made it largely resistant to cover versions; a few attempts have been made, however, first and most bizarrely by the Brady Bunch in 1972. Ska band Catch 22 made a reggae version of the song a staple of their live show and released several recordings of it; alternative rock band Killdozer recorded a thrashing, ironic version of the song in 1989. Several disco versions have appeared over the years, and in 2000, Madonna also did a space-age sounding cover of "American Pie" for a movie.

In 1999, parodist Weird Al Yankovic did a Star Wars-inspired parody of "American Pie" entitled "The Saga Begins" in which the lyrics recount the whole plot of Star Wars Episode I.

External Links